FADED Q & A
Here's some answers to questions that you might have about the new novel. Time for a quickie Q & A about FADED....
Q. Is FADED your LA novel?
A. FADED takes place in LA on the fringes of Hollywood. We spent a decade in LA (2012-22) after a short stint in San Francisco. We moved to Colorado in the summer of 2022 and I wrote this last summer. After spending one year away, the timing was ideal because LA was still somewhat fresh in my mind and my perspective began to shift a bit.
Q. FADED is a comedy and satire?
A. Yes. FADED is a a nod to Billy Wilder films, but the tone is a throwback to some of my favorite comedies from the late 1970s and early 1980s. Jackson McCool, the protagonist in FADED, is a mix of Bill Murray's film characters (Stripes, Meatballs) plus bit of Matthew Broderick (Ferris Bueller, WarGames) and Chevy Chase (Fletch). There's a sliver of Bruce Willis during a short time he was a budding TV star (Moonlighting) before he became a movie star.
Q. One of your characters played pro football, but I don't recognize the team names. Why?
A. Mingus Christmas played linebacker for the Miami Sharks. In my literary universe, the major pro football league is known as GIL or the Grid Iron League. I wanted to avoid any potential legal entanglements with the NFL, which is why the GIL is the stand in from the NFL in both FADED and THE KICKER. The local pro football team in FADED is known as the LA Demons.
Q. I thought you wrote two manuscripts last summer? What happened to the other one?
A. Yes, that's true. I wrote a memoir -- DEBASER (tentative title) -- which takes place in NYC in 1989. It's based on the summer before my senior year in high school. You're only 16 once, and that summer before I turned 17 was a pivotal time. I wrote DEBASER fairly quickly (in less than 3 weeks) in June 2023 after spending nearly six months in NYC helping out with a family illness. The subject matter is a little too personal and I doubt it will get published. I wrote for myself to help make sense of an intense stint in NYC while I stayed in my childhood bedroom for several months. I might revisit it sometime down the line.
Q. So, FADED is the second manuscript you wrote last summer?
A. Yes. I began it in July 2023 and completed the first draft in early August. I tend to write very fast, but edit very slow. FADED took around three weeks to complete the first draft. I completed subsequent drafts in January 2024.
Q. Are all your novels linked in its own literary universe?
A. Yes. In an homage to Kevin Smith's cinematic universe, there are direct references to characters in previous published novels including FRIED PEACHES, GUARD THIS, and JACK TRIPPER STOLE MY DOG. There's also character connections to two unpublished manuscripts for THE KICKER and DEBASER. I also incorporate the fictional world of other authors including Michael Chabon, Jonathan Lethem, Donna Tartt, and Bret Easton Ellis.
Q. What's up with the eye patch? Did you really write FADED with one eye?
A. The rumors are true. I have been experiencing vision problems in my left eye since the summer of 2022. We had a setback in July 2023, and I was sidelined for two weeks when I went blind in my left eye. I wore an eye patch during that time and started FADED. I wrote one chapter per day mostly to keep myself sane and laugh with the characters. As my vision improved, I quickly finished the first draft before a potential surgical date. I essentially wrote FADED because I freaked out that the vision loss would be permanent, and to address the anxiety over the question -- what if surgery doesn't work?
Q. What's up with THE KICKER?
A. It's still marinating. I hope to take another crack at sometime in 2024. I wrote the first draft at the end of 2020. I set aside time to work on a rewrite in April 2021, but I had too many things I wanted to change yet didn't have enough time to pull off a proper rewrite in the time I had allotted. That's why I pivoted and cranked out GUARD THIS instead. I wanted to work on the new draft of THE KICKER in the summer of 2022 when first moved to Colorado, but it got sidetracked when my vision issues began. I planned to work on it in January 2023, but then I had to move back to NYC to help my brother and mother.
Q. Were you listening to a lot of audiobooks before/during FADED?
A. I was sidelined for two weeks in July with vision problems, and spent that time in total darkness while holed up in our guest bedroom because it's the darkness room in the house. I listened to a dozen audiobooks to keep sane because it was difficult to watch/stream with one eye. I devoured audiobooks and consumed like two per day, so I revisited Infinite Jest by David Foster Wallace. The book is over 1,000 pages and the audiobook clocked in at 55 hours. I started/stopped reading IJ multiple times in the 1990s. When I finally conquered it, I had to spread out the book over several months. I listened to the Infinite Jest audiobook over a week at 1.5x speed. There's one character in FADED who is a former tennis prodigy, which is my homage to DFW.
I consumed other audiobooks during this stretch that influenced FADED because it was fresh in my mind.
Blue Movie by Terry Southern
Pappyland by Wright Thompson
The Creative Act by Rick Rubin
Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' Album by Warren Zanes
Thank You (Falettinme Be Mice Elf Agin): A Memoir by Sly Stone
Q. What were some of your other inspirations behind FADED?
A. I revisited two books including Chronic City by Jonathan Lethem and Heat 2 by Michael Mann. I also had three books about Hollywood on my mind. Hello, He Lied & Other Tales from the Hollywood Trenches was written by Lynda Obst who produced some big films in the 1980s-90s. I was also heavily inspired by The Devil's Candy by Julie Salamon, which chronicled the insanity behind the film adaptation of Tom Wolfe's novel The Bonfire of the Vanities. Lastly, there's The Day of the Locust by Nathaniel West about Hollywood in the 1930s.
Damien Chazelle's film Babylon -- about the rough transition from silent films to talking films -- was also an inspiration. All of Noah Baumbach films, especially Greenberg, were on my mind during the first draft.
Jon Favreau hosted Dinner for Five on IFC back in the early 2000s. During the show, he ate a meal with four guests who shared funny and strange stories about working in Hollywood. Many of those throwaway stories were an inspiration for this book. I love a good show biz story, and I attempted to fictionalize a few I heard over the years.
I listened to the first seven Steely Dan albums (recorded/released between 1972-80) while writing the first draft and it was in heavy rotation during the rewrites.
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